Indeed I will, I shall and I have been for the last hour.
The track (YTTE by Matmos) is only 9 minutes and seven seconds long. It is rare that I repeat a track this many times. But it’s just so damn good. Before I start talking about the music though..a bit of background.
Here’s what the artists themselves have to say, from their wonderfully detailed ‘discography’
Y.T.T.E.The title of this song refers to the imaginary city that visionary draftsman Achilles Rizzoli spent his life depicting. He peopled his city with skyscrapers, cathedrals and vast public buildings that symbolically represented the tiny group of friends and family members who supported his art and attended his occasional exhibitions. The letters Y.T.T.E. stand for Yield To Total Elation. We weren’t planning to copy it, but the opening synthesizer sound is a wee bit reminiscent of the synth intro to Madonna’s “Lucky Star”. Dunno why, but it is. Many people say the drums and bassline sound a bit like Iggy Pop’s “Lust for Life”. Others point out a certain (Robert) Fripp-ishness to the guitar solo. Pop music=total elation. The freaky guitar solo was made through an elaborately layered process: Mark Lightcap played a screaming psychedelic distorted guitar line through a rack of pedals and wahs and whammies, which was then burned as a soundfile on a CD, which was then physically scratched; the resulting skipping CD was recorded and then further chopped up in SoundEdit16 and then re-edited and manipulated in Digital Performer. We were told (jokingly?) the other day that the German electronic music magazine De:Bug refused to review “The Civil War” at all because there was a guitar solo on the record. Ha ha!
Which is cool in itself. Some of the links are dead. I found some info and pics by Rizzoli here. Go to the full page on the album as well. Just click on the links…there’s so much here even if you haven’t heard the music.
Matmos is M. C. Schmidt and Drew Daniel. They have toured with Lesser, Labradford, The Rachels and Bjork, shared stages with Terry Riley and Wire, remixed The Melvins and Otomo Yoshihide (and most recently Erase Errata), and are still working on an ongoing collaborative project with The Kronos Quartet. They have taught seminars on sound art at Harvard University and DJed at proms for homeless teenagers. They have had pieces in the Whitney Museum of American Art, and have scored the soundtracks for five gay porn films.
Anyway, know we know a little bit about them we’re almost ready to get on with the show. One last link though…if you don’t like music then just read this. It’s a wonderful bit of art talking by Otto Muehle, I’d never heard of him but they link a site from the discog excerpted above. Basically this made me laugh like a mule and at the same time I think it’s brilliantly intelligent…and covered in shit. What more could you want. I’m still touring the site…well, I will be once I’ve finished writing.
Anyway, it’s real time review time. I’m unlikely to be able to type fast enough to explain just how good this is. Really, there’s so much miraculous energy in this song. These guys have such a detailed ear for production. The subtlest things are lying around everywhere like a million little bits of magic hiding in a beautiful giant haystack. You dive in and enjoy the hay, then get hit on the head by a bit of magic and it turns you into a kind of primitive beast experiencing happiness for the first time and not quite being able to work out what it is.
Here goes…oh…and this is just one track of one of the best albums I’ve heard in a while. This is the one I think all of you should buy a thousand times. And I hate consumerism.
Get ready to Yield.
Tiny little toy box style noise. Just a little reverberating ting to start..then a couple more, then a magical floaty noise, some synth or other. Sounds like somethings being eaten by something large as well. Or maybe fireworks in the distance. Strum a guitar a coupla times. We’ve got a lot going on here…and it’s still just the intro.
Oh yes. Lovely drums, really lovely drums. Indeed the rhythm from lust for life.
But that’s not the point…it’s slower..its got much mroe energy though. Guitar part….looooovvvveeeeellllyyyyy riff. Like eating Love with your eaars.
I kind of want to cry at this point. Bass just adds to the drums. Occasional harp style glissando in the background. The guitar line is actually a coupkle of interlocking guitar lines at different levels. Finger picking style.
Then the electro guitar…drums constantly busying and building with this weird static guitar solo…sounds like someone beating up a really wanky guitar solo…but a good one. Plus a noise I can’t even bring myself to describe, once a bar. It’s coming to the fore now.
The guitars are all fading out. We’re entering something new. The indescribable sound (like a kind of rich eating noise.. crossed with a snore…only made by organic robots…maybe not). is the main thrust here. High pitched noises rambling around. Loads of random sounds and bursts of weirdness in every direction.
THis is amazing. The tingling from the beginning is still there.
The magical factory of noise just suddenly cuts out for just long enough for me to come disturbingly close to orgasm. Then back in…a little more rhythmic and regular now. Not just trying to assault you randomly. Some great percussion sounds here…like someone playing bongos with those big gas tanks you get on the outskirts of towns. It’s all fading already…lovely little tinkling from the intro back….filling up the sound..going left to right. All alone…lost in a lovely ice cave or something.
Keeps on going…reverberating…like prayer bowls. Very high pitched. Someone’s playing a guitar occasionally…just plucking their way around it. Now it’s come to the fore. (Right channel first). Just like someone playing a basic guitar thing….everythings faded out apart from it now. It’s just kind of sitting there. Lovely actually….such a simple thing to do …just sit and play guitar. Now it’s being edited by computers…it’s like a buzzing. As they say above..very minimalist. A buzzing made out of guitar shifting up and down.
And the track ends abruptly.
The track after ain’t half bad either. (It’s great actually…but now isn’t the time).
Still, I’m going to go back and listen to that again.
Louder…with my eyes closed.