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Venetian Snares – Hospitality

New record in the post.

Oh my word. I’ve already heard most of it before. But now I’m getting to consider it properly. This is the good shit. Sorry if all of my music reviews lately have been Breakcore related..I promise to write about other stuff eventually.

Anyway…on with the show. First track is a stormer…kind of like a certain type of Breakcore perfection. About two minutes of gentle synth intro, all world music sounding drums and a hint of a less shit Enya. Then it slams into action….and it is real action. The initial burst is formed as much of harsh synths as of hectic beats…the beats are ‘well hectic’.There’s definitely more to this though. The ‘melodic’ elements take the fore beautifully. Snares hasn’t really done this since the hungarian titled album (Rossz Szillag something something…..I can never remember the full name off hand). Only here it sounds less like an experiment in contrasting classical elements with the harsh thrust of the breakcore beats…but actually a beautiful experiment in maintaining a focus on something. The structure of the first track is incredible…pushing up and down all the time. Once the beats kick in they don’t really die until the end, but its not just full on aural assault (although it is that too) its a more balanced approach. It actually challenges you to think about the muscial qualities of it. There’s an amazing sense of energy and beauty here. More like real songs than just a kind of sonic sodomy. It still remains brutal and scattered enough to appease most tastes though.

I don’t want to describe this record as accessible…because it’s effectively a put down. Squarepusher did a similar thing on his latest album, eased up a little to do a more easy to listen to tour of his kind of sounds. I loved it, I didn’t think it was copping out…I think it was just a matter of relaxing enough to explore some simpler ideas…adding up a lot of what he’s learnt over the many years he’s been making head screwing music. He always had a good sense of instrumentation and melody though…Music is Rotted One Note proves that he doesn’t need beats to screw you to the wall in paroxysms of joy.

Anyway, the album isn’t really accesible…not to most…it’s is still settled on beats too disjointed for most people. The thing is…its got this melodic focus and the energy kind of makes more sense than usual. I’m a big fan of not making sense, but as an introduction to this type of music you could do a hell of a lot worse. On top of that it’s definitely a contender for being one of the best Breakcore albums he’s ever produced. As this is by Venetian Snares, that makes it one of the best albums in the whole screwed up genre.

I can sense the lasting appeal in this one to. There’s so much interest in it. The simpleness of the complication is just so damn warming. There’s a lot of brutality here…but its like it has a reason.

Ok, I’m starting the second side. This is opening with more conventional beats…that kind of pulsing bass synth so common to the genre. Then the beats slide out and you get a bass tone to consider…then the beats return…different though. The bounce here is infectious. So much energy and excitement. Harmony is the thrust so far…the melody has only just kicked in. This is amazing. It relaxes in a really impressive way. It doesn’t feel the need to just pound on your skull constantly…its doing a much better job by easing up and pushing the excessiveness in subtly. Subtle excess….wonderful.

Synth break….lovely structure to a beautiful toying with the melody. Then reintroducing the beat by (I think) putting the melodic elements through a granulizer or similar, and highlighting the rhythm of it. Then slamming the beats back in. This is pretty damn cool. It’s almost laid back…but not many people would agree with me there. The BPM is high enough to make you feel like you should be running at the speed you can only run when fleeing from a horrific and nightmarish monster. The end of the world is night..yet you’re still dancing.

A wash of phaser sounding synths….the kind of stuff my dearest Davey would describe as ‘space music’ in the joyous tones of a young child just discovering that magic is real…and it has a tasty beat.

That was a good track.

The album doesn’t ever entirely let up on the beats…it just makes it sound easier to listen to. The focus is perfect. At no point does it feel like you’re just being messed around for the sake of it. Structure and form are used to exceptional ability here.

This is really fucking good.

I mean…the things you can do with these simple ‘traditional’ jungle beats. The music has been twisted into something really special. Snares has been twisting for years. The sheer volume of output from that guys shed is incredible. Some of it is a bit lacklustre though. Its all pretty good at screwing your head up and giving you something to just bounce like a fool to. It really is made for dancing like you’ve forgotten how to dance but instead remember how to beat yourself and others up whilst having some kind of uncanny fit.

Not that I condone violence.

For such a short album (technically just an EP really) it is shocking just how many ideas and how much energy this thing has. There’s a joy in it too. You can tell that this guy actually lives, eats, breathes and shits music. I just don’t see any other way you could make such refined breakcore…refined…not like posh or anything…its just been treated to perfection.

Seriously…this is good. You should give it a listen…don’t just stick to samples of it though. Find the full tracks (and pay for them…this guy is on an independent and is exactly the type of music it is really important to support) and give them a play. Any sample can’t give you an impression of the richness of it. The ideas are carried out to their fullest extent.

The only way I can see of making it better by adding more accordians.

The album’s over, so I shall now stop writing.

Any questions?

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