Tag Archives: Real-Time

Yield To Total Elation

Indeed I will, I shall and I have been for the last hour.

The track (YTTE by Matmos) is only 9 minutes and seven seconds long. It is rare that I repeat a track this many times. But it’s just so damn good. Before I start talking about the music though..a bit of background.

Here’s what the artists themselves have to say, from their wonderfully detailed ‘discography’ 

Y.T.T.E.The title of this song refers to the imaginary city that visionary draftsman Achilles Rizzoli spent his life depicting. He peopled his city with skyscrapers, cathedrals and vast public buildings that symbolically represented the tiny group of friends and family members who supported his art and attended his occasional exhibitions. The letters Y.T.T.E. stand for Yield To Total Elation. We weren’t planning to copy it, but the opening synthesizer sound is a wee bit reminiscent of the synth intro to Madonna’s “Lucky Star”. Dunno why, but it is. Many people say the drums and bassline sound a bit like Iggy Pop’s “Lust for Life”. Others point out a certain (Robert) Fripp-ishness to the guitar solo. Pop music=total elation. The freaky guitar solo was made through an elaborately layered process: Mark Lightcap played a screaming psychedelic distorted guitar line through a rack of pedals and wahs and whammies, which was then burned as a soundfile on a CD, which was then physically scratched; the resulting skipping CD was recorded and then further chopped up in SoundEdit16 and then re-edited and manipulated in Digital Performer. We were told (jokingly?) the other day that the German electronic music magazine De:Bug refused to review “The Civil War” at all because there was a guitar solo on the record. Ha ha!

http://outsider.art.org/01intuit/americanmasters/010.html

Which is cool in itself. Some of the links are dead. I found some info and pics by Rizzoli here. Go to the full page on the album as well. Just click on the links…there’s so much here even if you haven’t heard the music.

A little bit of background on the artists. This is a brief excerpt from their label site.

Matmos is M. C. Schmidt and Drew Daniel. They have toured with Lesser, Labradford, The Rachels and Bjork, shared stages with Terry Riley and Wire, remixed The Melvins and Otomo Yoshihide (and most recently Erase Errata), and are still working on an ongoing collaborative project with The Kronos Quartet. They have taught seminars on sound art at Harvard University and DJed at proms for homeless teenagers. They have had pieces in the Whitney Museum of American Art, and have scored the soundtracks for five gay porn films.

Bless ’em.

Anyway, know we know a little bit about them we’re almost ready to get on with the show. One last link though…if you don’t like music then just read this. It’s a wonderful bit of art talking by Otto Muehle, I’d never heard of him but they link a site from the discog excerpted above. Basically this made me laugh like a mule and at the same time I think it’s brilliantly intelligent…and covered in shit. What more could you want. I’m still touring the site…well, I will be once I’ve finished writing.

Anyway, it’s real time review time. I’m unlikely to be able to type fast enough to explain just how good this is. Really, there’s so much miraculous energy in this song. These guys have such a detailed ear for production. The subtlest things are lying around everywhere like a million little bits of magic hiding in a beautiful giant haystack. You dive in and enjoy the hay, then get hit on the head by a bit of magic and it turns you into a kind of primitive beast experiencing happiness for the first time and not quite being able to work out what it is.

Maybe.

Here goes…oh…and this is just one track of one of the best albums I’ve heard in a while. This is the one I think all of you should buy a thousand times. And I hate consumerism.

Get ready to Yield.

Tiny little toy box style noise. Just a little reverberating ting to start..then a couple more, then a magical floaty noise, some synth or other. Sounds like somethings being eaten by something large as well. Or maybe fireworks in the distance. Strum a guitar a coupla times. We’ve got a lot going on here…and it’s still just the intro.

Drums

Oh yes. Lovely drums, really lovely drums. Indeed the rhythm from lust for life.

But that’s not the point…it’s slower..its got much mroe energy though. Guitar part….looooovvvveeeeellllyyyyy riff. Like eating Love with your eaars.

I kind of want to cry at this point. Bass just adds to the drums. Occasional harp style glissando in the background. The guitar line is actually a coupkle of interlocking guitar lines at different levels. Finger picking style.

Then the electro guitar…drums constantly busying and building with this weird static guitar solo…sounds like someone beating up a really wanky guitar solo…but a good one.  Plus a noise I can’t even bring myself to describe, once a bar. It’s coming to the fore now.

The guitars are all fading out. We’re entering something new. The indescribable sound (like a kind of rich eating noise.. crossed with a snore…only made by organic robots…maybe not). is the main thrust here. High pitched noises rambling around. Loads of random sounds and bursts of weirdness in every direction.

THis is amazing. The tingling from the beginning is still there.

AAAAAAAAAAAHHHHHHHHHHHHHHHHH

The magical factory of noise just suddenly cuts out for just long enough for me to come disturbingly close to orgasm. Then back in…a little more rhythmic and regular now. Not just trying to assault you randomly. Some great percussion sounds here…like someone playing bongos with those big gas tanks you get on the outskirts of towns. It’s all fading already…lovely little tinkling from the intro back….filling up the sound..going left to right. All alone…lost in a lovely ice cave or something.

Keeps on going…reverberating…like prayer bowls. Very high pitched. Someone’s playing a guitar occasionally…just plucking their way around it. Now it’s come to the fore. (Right channel first). Just like someone playing a basic guitar thing….everythings faded out apart from it now. It’s just kind of sitting there. Lovely actually….such a simple thing to do …just sit and play guitar. Now it’s being edited by computers…it’s like a buzzing. As they say above..very minimalist. A buzzing made out of guitar shifting up and down.

And the track ends abruptly.

Fuck yeah.

The track after ain’t half bad either. (It’s great actually…but now isn’t the time).

Still, I’m going to go back and listen to that again.

Louder…with my eyes closed.

Wonderful.

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Did I shoot Andy Warhol?

Of course, I didn’t shoot Andy Warhol, at least not in this life.

But I’ll get back to that later.

First, a warning. This is going to be another of my long rambling rambles. I am not going to restrain the free wandering nature of my mind. It is also potentially a very controversial post. I’m going to be discussing Feminism (and Cow Vaginas) as honestly and openly as I can. This is a dangerous thing to do, as may become clear. I am also intentionally not linking to a couple of posts and discussions that sparked possible elements of this post. I don’t want to target individuals and bring upon myself a torrent of abuse and hatred…I get enough of that going home for Christmas (only kidding). I expect I’m going to get trashed if certain people read this. I am writing in the spirit of free expression and thought. Also I may contradict myself, forget what I’m talking about and be entirely wrong headed idiotic and random.

Welcome to my head…it’s a horrible place to visit, but I wouldn’t want to live here. But I do. I do live here. This is my head.

Hold on tight Sahil, we’re in for a bumpy ride.

And we’re going to start off by saying that I do generally consider myself a feminist. I am also a man. An online test tells me I’m a revisionist Feminist, 100% Gender Abolitionist, 80% sexually liberal (honk) and 60% Socialist. By my reckoning that actually makes me240% feminist. I think that’s going a bit too far.

Anyway, the quiz pissed me off quite a lot…it was very leading and a lot of the questions didn’t make sense. Also I couldn’t answer loads of the questions the way I wanted to. This is why I hate online quizzes. Also double negatives aren’t not bad y’all.

Or something.

Anyway, This is really not the point.

Lets go back a bit.

I’ve had several dreams involving Andy Warhol…the first one involved a journey on the Megabus (a cheap coach/bus service that I have never used) up to London. We spent the whole journey discussing the relative merits of cost of varying forms of transport. This was not really that interesting, but I did think it quite cool that the wig wearer was present. I assumed he was cool and therefore it was rubbing off on me. Well…I didn’t really think about it that much at the time…I was in dream mode. Whatever, we got to London eventually, and we made a film with Lars Von Trier called the five obstructions. This was the day before that film was shown on television (not precognition, I had just read the TV guide before going to sleep and had decided to watch it the next day), go out and watch it, its a damn cool film…especially if you like film making theory. Basically, Von Trier sets Jorgan Leth a series of challenges, all kind of the same. It’s just to remake one of Leth’s first films, the Perfect Human (which I’ve never seen) under the conditions of a series of ‘Obstructions’ set by Von Trier (should that just be Trier?). The film takes the form of a series of chats between the directors, and the new, obstructed versions of the short. It’s absolutely incredible to watch if you’re into films as basically it shows you how great director’s minds can work. If you don’t mind watching artsy documentaries then watch this and your eyes may well be opened to some of the more interesting things to think about as you watch films.

Anyway, I’m getting distracted. The dream version of the film was nothing like that…and to be fair I can’t remember much of it apart from a few images that are hard to explain…needless to say, the sets of the film we were making were kind of living and I kept slipping from the perspective of Director to Actor to Character and back. Though under constant watchful guidance of Andy Warhol. Oh…and there was something to do with the American Civil war…but I’m not sure what.

Ok…so that was Warhol dream number one. I thought it was pretty cool, I rarely dream about famous figures, mostly just people I’ve met. Also it remained vivid for long enough for me to tell someone about it, meaning that some of the details solidified. This is handy, as I often forget my dreams.

Anyway, the second time he cropped up I can only really remember I tiny segment. I was in a Cherry Blossom tree (I don’t know what the symbolism of this might be, but what it makes me think of is a song by the Manic Street Preachers, a band I thoroughly enjoy, though the song itself is from one of their lamer albums…the first three albums all remain high in my esteem, (does that even make sense) after that its mostly just nostalgia for my teenage years. Anyway, they become relevant again later…though some of you may have made the connection already) with a sniper rifle, I looked through the sights to see that I was aiming at Andy Warhol. Holy crap..I thought…I’m about to shoot Andy Warhol. Anyway, as I pulled the trigger and the bullet started heading for the artistic Christian King of the Factory. I shifted perspective (this bit of the dream was very visually impressive) and pulled out of the scene to see that in fact I was just sitting and watching the film ‘Who Shot Andy Warhol?’. My brother found the film amusing as poor Andy died on screen…I wasn’t aware of his biography at that time as this was pre the endless hours spent on the internet. Anyway, bro laughed, I laughed nervously to conceal the fact that I was actually really freaked out by coming that close to shooting someone. Even if it was only a film.

Anyway, I can’t remember the rest of that dream, but I figured it might be significant. I have occasionally explained to people that Andy Warhol may be my ‘spirit guide’. New theories are emerging. And my mouth hurts because I just ate some hot chili sauce. For those of you who are visually minded, I am wearing my favourite stripy jumper and my green corduroy trousers. My T-shirt is poking out from underneath my jumper (which was found in the street on my birthday two years ago…woo). It is also stripy but smaller stripes and different colours, it used to belong to my friend Will. I’m at work.

This is mostly irrelevant information though.

So anyway, recent clues are actually pointing to a different conclusion. I no longer think of Andy Warhol as a source of spiritual guidance.

Let’s come back to that later though, first let me assure you that there is going to be some feminism stuff here eventually. In fact…lets do a little now.

Since starting blogging and reading more peoples discussions and chatting with people, not least of which is my current Significant, I’ve been reading a lot of feminist stuff from a lot of different sources. My eyes have been opened and pretty damn wide. I’ve always considered myself an equalicist/feminist/whatever term it is that applies to me. I fell into a lot of traps though. I did things and held beliefs that would be considered to be the subtler side of patriarchy. I still do sometimes, but I really do try to be otherwise. I find this is a constant struggle and it is difficult.

Aside: I just had an argument with a customer who got banned for saying the c*t word. Now…I say that plenty at home among friends who know I don’t attach significance to it. Anyway, he shouted it at the computer, and got told off by Mr I a friend and co-worker. We decided to ban him once his time was up. He came back and started arguing the toss. Trying to defend himself (bear in mind if you think I’m being harsh on him that he is quite a young kid and we have other young kids in this place). His argument mostly consisted of ‘I didn’t say it it just came out of my mouth. It’s not offensive anyway…nobody was offended’. My responses should be obvious, when he said that nobody in here was offended, I told him I was…he then asked if I was a girl. Now…face to face, my beard usually settles that one. But it really riled me and seemed relevant to this post. Just thought I’d mention it. I told him that my gender was irrelevant, but was interrupted and didn’t finish my chain of thought. I was intrigued by his point of view and thought I might have a chance to teach some kind of equality lesson. I don’t like preaching though…and I was interrupted.

Anyway, I do keep on struggling to improve myself. A hell of a lot of the socialised and peer pressurised stuff is hard to get rid of though. I’m far from perfect. I do honestly try though. As has been made clear in previous posts gender equality is a big deal for me, something that I consider a lot. Among people I love and trust (most people I meet…I’m pretty damn full of love you know) I often make jokes and similar comic statements, I even conform to certain stereotypes in the knowledge that my good friends generally know where I stand on these things. I feel bad about this as I do think that it damages causes that I hold dear, but fun and jocularity is something I hold dear to. What I hate about myself is when I engage in some of the sexist gags of people not so enlightened, or in the presence of people who might not detect the irony. This is similar to something I’ve discussed before (the Computer Abuse Language, I can’t be bothered to find the link as work is ending in an hour and a bit and I haven’t finished discussing all this and I have to prepare the place for locking up) so I won’t go into too great detail. Basically, I’m criticising myself for falling for the jokes and the subtler side of this patriarchy thing. I even used to hold the good old fashioned ‘everyone’s equal already’ and ‘feminists are kicking up a big stink over nothing’ type views…I now realise this is crap. My mind is always open to change, and some of the things the people on the internet have shown me have changed me deeply. Or perhaps just made me realise for real a lot of stuff I half believed already. Those of you who have helped me learn, I thank you…and I pray that you continue.

Discussion with significant and Vintage in particular have been eye opening, plus many other places I have lurked. I thank you greatly.

One discussion with Siggy today went on for hours trying to work out a debate she’s having with people on the internet. The basic gist of it was that some feminists were attacking her for not being man hating enough. This clearly pissed both of us off. I mean sure…I’m willing to agree that most men are terrible in many ways. Patriarchy is fucking horrible. I don’t think that enough people realise just how much both genders are oppressed. And by Jove is it worse for women. I do however think that it is important to recognise that men suffer as well. I find that I am constantly under pressure to conform to male stereotypes that don’t in anyway relate to me. I am bundled together with people who read Zoo and use prostitutes. I read an issue of zoo once to see what all the fuss was about. There was a ‘letter’ sent in by a ‘reader’ who was describing her wonderful experience after a club night where she had got incredibly drunk and then flashed by a bouncer on the way out. She (as any right thinking woman would) gasped in shock and awe and joy at the sight. She then also enjoyed being bundled into the back of a car and driven out to a lay-by and repeatedly and violently screwed by aforementioned security guard.

It shouldn’t surprise anyone that I was sick at this. I mean…this was actually a magazine basically suggesting that women love being sexually assaulted abused and raped. This was so much worse than I expected. I just thought it would be tits and trash. Generally offensive and insulting to the intelligence of most men, but it was so much more horrific than that.

I was literally sickened by it.

Anyway, the point is that it is possible that not all men are of one type. Variation and variety of people is what gender equality and gender issues in general are all about. People should be free to be different. I shouldn’t feel like I can’t express myself fully. I should feel like its fine for me to dress however I want. I lack confidence though. I am incredibly insecure (underneath a thin veneer of boistrous and noisy faux confidence and egocentricity) and worry at the slightest thing wrong with me.

I don’t think I’m alone. V directed me to a great article recently that was stating that the reason that men are insecure is because they (we) realise we’re actually the weaker sex. I agree one hundred percent with that assessment. The author of that piece (and many others) have hit a nail on a head there. Well…maybe not one hundred percent. But it’s certainly true of me. Perhap’s this makes me a gender traitor.

I don’t know.

Anyway…I’m getting distracted and I don’t have long left to write.

Siggy has been being lambasted for not being ‘the right type’ of feminist. This is wrong. Variety and discussion should be the watchwords of the feminist movements. You’re more than welcome to hate all men, but if you start hating women for discussing then you just appear to be plotting for a matriarchy. I don’t think that would be a better world…just a different one.

There is no reason to fight oppression with oppression.

I have so much more to say but I have no time to write over the next few days.

First off, let me tie up some of the loose ends.

I think Valerie Solanas may be a more likely candidate for my spirit guide that poor Andy. Because of course it was her who really shot Andy Warhol. She’s been cropping up everywhere for me lately. Mostly through the Matmos track Tract for Valerie Solanas.

I will, apparently believe anything that has a good beat. This song has a damn good beat. And is made using an inflated Cow’s Uterus and Vaginal Tract. Find out how here. Then buy the album…it’s absolutely incredible.

Anyway, I now believe that I am being told to ‘destroy the male sex’ by my dreams. I really like her writings. I will tell you more about my views on what she has written once I’ve finished the SCUM manifesto. I’m busy lots though.

Oh…and she inspired the Manic Street Preacher’s song ‘Of Walking Abortion’. It’s a good song.

She has been raised in a few days of research to the status of a hero of mine. As have Matmos…who I’m only now beginning to realise just how much.

I assure you there’ll be follow up material for this. Including an essay on Angela Carter’s ‘The Passion of New Eve’ that I wrote for Uni…that book kind of changed my life a little. Maybe a lot. It’s an out of date essay though so my thoughts may have changed.

I’m so sorry for cutting this short, but I really am too busy at the moment.

I’ll post more bits and bobs but will be slowing down around the holiday season as my computer is going to the workshop for retooling.

Also busyness due to travelling to home and back and possibly to Wales as well….which will be lovely if I can afford it.

Erm…any questions or thoughts? I haven’t said half of what I wanted and I will respond and not censor anything…but please don’t lay too hard into me. I try to be good, but I am weak and insecure.

And I’ll leave with an inspirational note from Solanas herself:

‘Life in this society being, at best, an utter bore and no aspect of society being at all relevant to women, there remains to civic-minded, responsible, thrill-seeking females only to overthrow the government, eliminate the money system, institute complete automation and destroy the male sex.’

– Valeria Solanas – SCUM Manifesto

Venetian Snares – Hospitality

New record in the post.

Oh my word. I’ve already heard most of it before. But now I’m getting to consider it properly. This is the good shit. Sorry if all of my music reviews lately have been Breakcore related..I promise to write about other stuff eventually.

Anyway…on with the show. First track is a stormer…kind of like a certain type of Breakcore perfection. About two minutes of gentle synth intro, all world music sounding drums and a hint of a less shit Enya. Then it slams into action….and it is real action. The initial burst is formed as much of harsh synths as of hectic beats…the beats are ‘well hectic’.There’s definitely more to this though. The ‘melodic’ elements take the fore beautifully. Snares hasn’t really done this since the hungarian titled album (Rossz Szillag something something…..I can never remember the full name off hand). Only here it sounds less like an experiment in contrasting classical elements with the harsh thrust of the breakcore beats…but actually a beautiful experiment in maintaining a focus on something. The structure of the first track is incredible…pushing up and down all the time. Once the beats kick in they don’t really die until the end, but its not just full on aural assault (although it is that too) its a more balanced approach. It actually challenges you to think about the muscial qualities of it. There’s an amazing sense of energy and beauty here. More like real songs than just a kind of sonic sodomy. It still remains brutal and scattered enough to appease most tastes though.

I don’t want to describe this record as accessible…because it’s effectively a put down. Squarepusher did a similar thing on his latest album, eased up a little to do a more easy to listen to tour of his kind of sounds. I loved it, I didn’t think it was copping out…I think it was just a matter of relaxing enough to explore some simpler ideas…adding up a lot of what he’s learnt over the many years he’s been making head screwing music. He always had a good sense of instrumentation and melody though…Music is Rotted One Note proves that he doesn’t need beats to screw you to the wall in paroxysms of joy.

Anyway, the album isn’t really accesible…not to most…it’s is still settled on beats too disjointed for most people. The thing is…its got this melodic focus and the energy kind of makes more sense than usual. I’m a big fan of not making sense, but as an introduction to this type of music you could do a hell of a lot worse. On top of that it’s definitely a contender for being one of the best Breakcore albums he’s ever produced. As this is by Venetian Snares, that makes it one of the best albums in the whole screwed up genre.

I can sense the lasting appeal in this one to. There’s so much interest in it. The simpleness of the complication is just so damn warming. There’s a lot of brutality here…but its like it has a reason.

Ok, I’m starting the second side. This is opening with more conventional beats…that kind of pulsing bass synth so common to the genre. Then the beats slide out and you get a bass tone to consider…then the beats return…different though. The bounce here is infectious. So much energy and excitement. Harmony is the thrust so far…the melody has only just kicked in. This is amazing. It relaxes in a really impressive way. It doesn’t feel the need to just pound on your skull constantly…its doing a much better job by easing up and pushing the excessiveness in subtly. Subtle excess….wonderful.

Synth break….lovely structure to a beautiful toying with the melody. Then reintroducing the beat by (I think) putting the melodic elements through a granulizer or similar, and highlighting the rhythm of it. Then slamming the beats back in. This is pretty damn cool. It’s almost laid back…but not many people would agree with me there. The BPM is high enough to make you feel like you should be running at the speed you can only run when fleeing from a horrific and nightmarish monster. The end of the world is night..yet you’re still dancing.

A wash of phaser sounding synths….the kind of stuff my dearest Davey would describe as ‘space music’ in the joyous tones of a young child just discovering that magic is real…and it has a tasty beat.

That was a good track.

The album doesn’t ever entirely let up on the beats…it just makes it sound easier to listen to. The focus is perfect. At no point does it feel like you’re just being messed around for the sake of it. Structure and form are used to exceptional ability here.

This is really fucking good.

I mean…the things you can do with these simple ‘traditional’ jungle beats. The music has been twisted into something really special. Snares has been twisting for years. The sheer volume of output from that guys shed is incredible. Some of it is a bit lacklustre though. Its all pretty good at screwing your head up and giving you something to just bounce like a fool to. It really is made for dancing like you’ve forgotten how to dance but instead remember how to beat yourself and others up whilst having some kind of uncanny fit.

Not that I condone violence.

For such a short album (technically just an EP really) it is shocking just how many ideas and how much energy this thing has. There’s a joy in it too. You can tell that this guy actually lives, eats, breathes and shits music. I just don’t see any other way you could make such refined breakcore…refined…not like posh or anything…its just been treated to perfection.

Seriously…this is good. You should give it a listen…don’t just stick to samples of it though. Find the full tracks (and pay for them…this guy is on an independent and is exactly the type of music it is really important to support) and give them a play. Any sample can’t give you an impression of the richness of it. The ideas are carried out to their fullest extent.

The only way I can see of making it better by adding more accordians.

The album’s over, so I shall now stop writing.

Any questions?

Cipater – Autechre

Hmm, really crunchy beats (I mean seriously crunchy), with a nice smooth bassline underneath (very low in the mix) thoughtful whining noises ambulate around the main beat too. Very Nice

Its a bit like being in a quite funky trash compactor at a high speed and surviving the whole mechanism running through repeatedly. There may even be a whining dog crushed along with you.

Then the second half of the track starts to land and it seems like there’s a kind of electro lounge band just down the road (almost out of earshot) playing a little walking bassline and jamming around it. The whole rhythm has actually shifted pace now, it sounds a bit like the offbeats have switched. A bit like the trash compactor has got into hip-hop all of a sudden and started to groove on down.

Breakdown, compactor out of the mix…and you realise there’s been a lovely load of music running underneath it all along. Still with a nice crunchy drum beat…its just like its on trash compactor hi-hats now. Repeat to fade.

Wow, that’s an awesome track.

Sweet, Sweet Ale

So, basically, the off license (booze merchant for those not ‘in the know’ so to speak) round the corner has started stocking the 2006 vintage of what I consider to be one of the finest ales known to humanity: Dark Star Imperial Stout. This sweet nectar is produced by Dark Star, a local small scale brewery of nigh on legendary quality (very, very good ales). Anyway, this event calls for a celebration. Before I go to the pub to meet my friends I intend to conduct an experiment in beer enjoyment, by offering a real-time summary of my drinking experience (you’ll have to trust me on the real time aspect..I’m actually going to post it all in one go, think of it as more of a sip by sip description). Basically, I’m going to talk about the beer, while I drink it. For those who need details, the bottle is only 250ml, and shall be poured into my container of choice (a ceramic tankard gifted to me for my birthday by the wondrous and mysterious Lady E), then drunk, at the rate of my choosing. I will also give regular updates on what music I’m listening to (currently Plotinus by Squarepusher..very good) which will be supplied by my general purpose playlist, shuffled repeatedly and let to roll. If I’m not in the mood for the particular song, I shall skip to the next one, but I will inform you of the fact. Now that the rules are clear, I shall begin:

First off, I have to pour this beautiful drink, unfortunately, the two handed nature of this task means that I must take a break for this. Back in a second.

(just sniffing it once the bottles opened is a thrill, quite a meaty smell..almost like a fruit cake being cooked…this is good shit)

Ah yes, the baby is poured. Beautifully deep rich colour, the smell is slightly caustic, but only very slightly, very strong and very rich aroma. (Music has just changed to Ode to Scatman a little funky dance romp by Agent Mancuso, a friend of mine).

We take a break for the first sip, pray silence. (I’m gonna close my eyes on this one…just so you know).

Oh Lord.

That is good. The richness and depth is hard to really get across. There’s a very strong sweet flavour, that seems to be wrapped in a milder taste. The effect is of being mildly syrupy, but with a deep and rounded (almost beefy) undercurrent of fruit, only a bit heavier than that…like mince pies only better. (That last sentence also accurately describes the music that’s now come on Funky Acid Stuff by Luke Vibert).

Further sips will be accompanied by a brief summary of what we know about this beer. First off…the information on the side of the bottle ‘Imperial Stout is a truly special beer which harks back to the days when English brewers exported strong stouts and porters to the baltics. Brewed with a high proportion of roasted barley and target hops, this is a complex beer with a big flavour’. Seriously, you cannot underestimate how accurate that is. There’s alot of flavour in there..and its not just big but actually fucking huge.It’s been about three minutes since my last swig and still the taste lingers (a little nutty at this point, and still quite warming). For those of you for whom strength is all that matters, don’t worry, this little baby weighs in at 10.5%. A good place to start. Guinness this ain’t. Anyway, Radiohead are telling me to slow down (The Tourist) so I’m gonna kick back and enjoy the beer for a few minutes. See you in a minute.

Right now its making me wish I ate meat just so that I could soak some steak in this stuff and put it in a pie. That would be good.

Its so damn rich. Its like having a millionaire in your mouth..only its a beer and it tastes great.

About halfway through the drink and the lady sampled by the Venetian Snares is talking about pigeons being scary (Masokik Galamb). Great stuff, this playlist has served me well. With the fear of sounding like a bit of a lightweight, the beer itself is starting to take effect, to borrow the words of that bastard Legolas in one of those irritating scenes in the Lord of the Rings films where they added stuff to make Legolas cool while Gimli becomes a comic fall guy ‘my fingers are starting to tingle a little. as for the music…the strings and the drums are working beautifully. I recommend you try out the Venetian Snares album with all the Hungarian names, damn fine idea..breakcore beats and classical instrumentation. Awesome.

But anyway, we’re here for the beer, so lets get back to it.

As you may be able to tell, I’m not exactly a food and drink critic. I know what I like, and I like this a lot, but I can’t really get across what it actually tastes like. I mean, I can do ridiculous similies fairly easily: It’s like my taste buds are being tickled by someone very sexy who I like a lot and have been noticing around for age, but never quite had the guts to talk to, until tonight, when we finally spoke…and I’ll be honest with you..we weren’t speaking for long, before things got a bit physical. Yes…this beer is a lot like that. No, really.

So, I’m beginning to think this was a crap idea. But the beer still tastes good, and that restores my confidence. That’s what I like in a beer, one that stays with you even though you’re beginning to lose faith in it (and yourself). No, I don’t think beer is the answer to all your problems, in fact it can cause a hella lot of problems. But this beer is different. This beer will solve a lot of your problems..and it certainly won’t cause any trouble. In fact, this is the kind of beer you could take home to your parents, a polite beer (though strong and caring). Actually, I do plan on buying my Pa one for his birthday, bu don’t nobody tells him that.

Ooops, (how many Os are there in Oops?) I forgot to mention a few song changes. That 10.5% really makes the difference you know (hence the slipping into dialect, for those who noticed). Anyway, its now Gigantic by the Pixies…which works well for me, cause it means I can tell you the story about how I first heard this song. It was actually at my local watering hole back home, doing some underaged drinking (a fine British past-time if ever I heard of one), and my friends band were playing a cover. Anyway, this particular friend (Sir G), and his whole family, all of whom I know well, have a shared fixation with toilet humour. This meant that I wasn’t surprised when I feard him singing about ‘a big big log’. I laughed..I was amused. It was only later, when I heard the Pixies singing it and realised that Sir G never wrote the aforementioned song, that I realised the lyric was ‘a big big love’. Such an easy mistake to make. Anyway, now we’re listening to Spiritualised – Lord Let it Rain on Me. Good song..good band. Keep it up Mr Randomised Playlist.

Right. I just realised I’m heading for the last slug of ale. Which means its almost time to go. Don’t mourn for me, for I shall return with much more interesting posts. Probably tomorrow. Just out of interest, can anyone clarify for me whether WordPress (or anyone else) owns copyright on stuff I post. I only ask because I have a short story I want to post, and I’ve heard of people being dicked around online, don’t want it to happen to me.

Anyhow, the music’s picked We Didn’t start the Fire by Billy Joel for the track as I finish my ale. The last sip was a treat (as is the tune) and I can’t wait til I get another (but I doubt I’ll tell you about it unless a lot of you request more).

Thanks for your time. I hope you enjoyed. I know I did, but then…I was drinking a gorgeous stout for the duration. Drink more real ale. That’s what I say.

Incidentally, spelling and grammar has been left as is..jsut cause it seemed more ‘honestly’ real-time that way.