Tag Archives: Wonderful

Radio Free Ambibath

I’ve just had a rather strange and awakening experience.

I’m currently reading The Divine Invasion, more of my ongoing obsession with Dick you see.

Anyway, I’m astonished by how much of a rollercoaster ride it’s been already. Normally when I read something by Dick I start of fascinated, and become increasingly so until I reach a point of complete bafflement that barely eases up.

Well…I’m starting to get used to it, the recurring motifs are easy enough to pick out, and I have read a lot now (coming soon is my dissertation essay on Dick and the Uncanny by the way…but first I need to proof it…which I probably should have done before I handed it in to be graded…but what the heck).

But this is the second in the mental breakdown/divine revelation trilogy, and it’s bat fucking insane.

I mean…it’s incredible. I feel like I need to read the Torah just to have a clue what’s going on.

But it’s deeper than just religion. There’s something grand here about a basic understanding of the universe. It really is a bit like taking your feet off the ground and realising that the ground isn’t there any more.

It is surprisingly coherent if you pay attention and remember to step back…but there’s a strange rhythm to the madness, and occasionally it’s terrifying.

My own experiences of mental breakdown start to flit into my mind as I read.

Brilliant and terrifying. Wonderful.

Anyway, so I’m stepping into the bath, tuning in my clockwork radio. I couldn’t find the French Jazz I normally listen to, and so fiddle around until I think I can hear something interesting.

I hear something interesting, but with the water running I can’t tell if it’s static or not. There’s some kind of irregular pulsing noise, a cat screaming and all manner of fuzz and lack of definition. I finally tune it in properly and get rid of the fuzz, only to find that the cat and the pulse are really there. The cat fades after a while and I realise that I’m sinking into the water to the sound of echoing abstract noise. Little bursts of strange eerie sound bubble around me. (Also I’m farting a bit…but you don’t need to know that).

Anyway, it slowly becomes clear that I’m listening to a new local community radio station, which is doing a programme full of ambient soundscapes and ‘sonic sculptures’. There was some great stuff there…including a really bizarre vocal harmony loop that was almost terrifying in its beauty. Then as it builds you start to get sound processing on the top end…little mechanical bubbles in the tone of her voice (mechanical bubbles…how in the hell does that work?). Really really amazing. (Brightoners check out Radio Reverb, apparently it starts broadcasting live tomorrow, though they’ve got recorded preview stuff playing already).

So I’m here, listening to frighteningly bizarre music and reading horrifically wonderful prose, realising that I’m a massive pretentious cock.

Either that or I just really love strange experiences. That noise was amazing, really makes you re-evaluate the way you hear. The book  to is so different to anything else. There’s a narrative and people and happenings, but there’s another level of wonder. A fear that you might learn something you can’t unlearn.

Okay…So I definitely am pretentious…but it doesn’t mean it isn’t wonderful that this kind of stuff is going on. It’s great to stumble on that kind of weird and wonderful thing…especially when you’re in the right state to absorb it.

Live for the Weird Experience.

Advertisements

Yield To Total Elation

Indeed I will, I shall and I have been for the last hour.

The track (YTTE by Matmos) is only 9 minutes and seven seconds long. It is rare that I repeat a track this many times. But it’s just so damn good. Before I start talking about the music though..a bit of background.

Here’s what the artists themselves have to say, from their wonderfully detailed ‘discography’ 

Y.T.T.E.The title of this song refers to the imaginary city that visionary draftsman Achilles Rizzoli spent his life depicting. He peopled his city with skyscrapers, cathedrals and vast public buildings that symbolically represented the tiny group of friends and family members who supported his art and attended his occasional exhibitions. The letters Y.T.T.E. stand for Yield To Total Elation. We weren’t planning to copy it, but the opening synthesizer sound is a wee bit reminiscent of the synth intro to Madonna’s “Lucky Star”. Dunno why, but it is. Many people say the drums and bassline sound a bit like Iggy Pop’s “Lust for Life”. Others point out a certain (Robert) Fripp-ishness to the guitar solo. Pop music=total elation. The freaky guitar solo was made through an elaborately layered process: Mark Lightcap played a screaming psychedelic distorted guitar line through a rack of pedals and wahs and whammies, which was then burned as a soundfile on a CD, which was then physically scratched; the resulting skipping CD was recorded and then further chopped up in SoundEdit16 and then re-edited and manipulated in Digital Performer. We were told (jokingly?) the other day that the German electronic music magazine De:Bug refused to review “The Civil War” at all because there was a guitar solo on the record. Ha ha!

http://outsider.art.org/01intuit/americanmasters/010.html

Which is cool in itself. Some of the links are dead. I found some info and pics by Rizzoli here. Go to the full page on the album as well. Just click on the links…there’s so much here even if you haven’t heard the music.

A little bit of background on the artists. This is a brief excerpt from their label site.

Matmos is M. C. Schmidt and Drew Daniel. They have toured with Lesser, Labradford, The Rachels and Bjork, shared stages with Terry Riley and Wire, remixed The Melvins and Otomo Yoshihide (and most recently Erase Errata), and are still working on an ongoing collaborative project with The Kronos Quartet. They have taught seminars on sound art at Harvard University and DJed at proms for homeless teenagers. They have had pieces in the Whitney Museum of American Art, and have scored the soundtracks for five gay porn films.

Bless ’em.

Anyway, know we know a little bit about them we’re almost ready to get on with the show. One last link though…if you don’t like music then just read this. It’s a wonderful bit of art talking by Otto Muehle, I’d never heard of him but they link a site from the discog excerpted above. Basically this made me laugh like a mule and at the same time I think it’s brilliantly intelligent…and covered in shit. What more could you want. I’m still touring the site…well, I will be once I’ve finished writing.

Anyway, it’s real time review time. I’m unlikely to be able to type fast enough to explain just how good this is. Really, there’s so much miraculous energy in this song. These guys have such a detailed ear for production. The subtlest things are lying around everywhere like a million little bits of magic hiding in a beautiful giant haystack. You dive in and enjoy the hay, then get hit on the head by a bit of magic and it turns you into a kind of primitive beast experiencing happiness for the first time and not quite being able to work out what it is.

Maybe.

Here goes…oh…and this is just one track of one of the best albums I’ve heard in a while. This is the one I think all of you should buy a thousand times. And I hate consumerism.

Get ready to Yield.

Tiny little toy box style noise. Just a little reverberating ting to start..then a couple more, then a magical floaty noise, some synth or other. Sounds like somethings being eaten by something large as well. Or maybe fireworks in the distance. Strum a guitar a coupla times. We’ve got a lot going on here…and it’s still just the intro.

Drums

Oh yes. Lovely drums, really lovely drums. Indeed the rhythm from lust for life.

But that’s not the point…it’s slower..its got much mroe energy though. Guitar part….looooovvvveeeeellllyyyyy riff. Like eating Love with your eaars.

I kind of want to cry at this point. Bass just adds to the drums. Occasional harp style glissando in the background. The guitar line is actually a coupkle of interlocking guitar lines at different levels. Finger picking style.

Then the electro guitar…drums constantly busying and building with this weird static guitar solo…sounds like someone beating up a really wanky guitar solo…but a good one.  Plus a noise I can’t even bring myself to describe, once a bar. It’s coming to the fore now.

The guitars are all fading out. We’re entering something new. The indescribable sound (like a kind of rich eating noise.. crossed with a snore…only made by organic robots…maybe not). is the main thrust here. High pitched noises rambling around. Loads of random sounds and bursts of weirdness in every direction.

THis is amazing. The tingling from the beginning is still there.

AAAAAAAAAAAHHHHHHHHHHHHHHHHH

The magical factory of noise just suddenly cuts out for just long enough for me to come disturbingly close to orgasm. Then back in…a little more rhythmic and regular now. Not just trying to assault you randomly. Some great percussion sounds here…like someone playing bongos with those big gas tanks you get on the outskirts of towns. It’s all fading already…lovely little tinkling from the intro back….filling up the sound..going left to right. All alone…lost in a lovely ice cave or something.

Keeps on going…reverberating…like prayer bowls. Very high pitched. Someone’s playing a guitar occasionally…just plucking their way around it. Now it’s come to the fore. (Right channel first). Just like someone playing a basic guitar thing….everythings faded out apart from it now. It’s just kind of sitting there. Lovely actually….such a simple thing to do …just sit and play guitar. Now it’s being edited by computers…it’s like a buzzing. As they say above..very minimalist. A buzzing made out of guitar shifting up and down.

And the track ends abruptly.

Fuck yeah.

The track after ain’t half bad either. (It’s great actually…but now isn’t the time).

Still, I’m going to go back and listen to that again.

Louder…with my eyes closed.

Wonderful.